This is the ability to set a parameter at one point in the video, set a different value of that parameter later in the video, and have the program make a smooth change from one to the other. The feature lacking in Shotcut is keyframing. Perhaps I’m missing something in the program’s capabilities.īut the big reason I won’t be switching to Shotcut as my regular Non Linear Editor is the lack of one critical feature. I’ve come up with a couple of techniques, but I’m surprised at the need for workarounds. With all the happy discoveries, I’m still having trouble figuring out a simple way to overlay titles in my videos. There’s a nice selection of audio effects like EQ, compression, and reverb that might be helpful for our LAMPG videos. And the more I’ve explored the features the more impressed I’ve been. Once I learned to enlarge the timeline area and zoom out on the timeline to see the whole picture, I haven’t had any unexpected issues (tech talk for crashing). I’m really pleased with the speed and export quality of Shotcut. The subject is one chorus of our old standby, Salomila.Īnd here’s the video that resulted from that tutorial/demo: I’m bringing together a 4K video I shot with my Lumix LX100 and a WAV audio file from my Zoom H6. Here’s a video demonstrating this workflow. Then I trim the beginning and end of the two clips, drag them both to the start of the timeline, and export my edited clip. With the two tracks in sync I mute the audio on the camera track. Any smeared sound or echo or double clap means we need to tweak a bit. A quick listen makes it obvious – if there’s only one sharp clap we have sync. Once I get the spikes near each other I position the cursor near one of the spikes and use the timeline zoom to get a closer view so I can fine tune the placement. With a good clap resulting in an obvious spike on both the camera audio and the secondary audio waveforms it’s easy to drag the clips into sync. My solution has been to use the right click menu to create an audio track, then dragging the audio clip from the playlist panel to this new track. But when I drag the second clip, in this case the audio track, it appends to the first track even if I’m dragging to the empty space below the first track. When I drag a clip from the playlist to the timeline area Shotcut creates a new track in the timeline. Another trick is to zoom out on the timeline so that the whole clip is visible. One of the things that has helped me get a handle on Shotcut was to enlarge the timeline area by pulling up the drag handle in the middle of the screen. Be prepared for Shotcut to take some time to ingest a file and don’t panic if nothing seems to be happening. One of the tutorial videos I watched suggested that I should use the playlist as a media bin. Shotcut starts up ready to go to work, and I get started by dragging my audio and video files from a File Explorer window into the Shotcut playlist panel. Since my hardware won’t handle Resolve and Hitfilm is strongly oriented toward special effects, I’ve been putting together a test video using Shotcut. And good old Shotcut has either gotten more solid, or I’ve finally absorbed enough to avoid crashing. Hitfilm Express is also available for free. For folks with a big hardware budget and a willingness to learn, DaVinci Resolve is available as a free download. Lately, though, things have changed a bit. Until recently those of us in PC land have either opened our wallets, struggled with the Microsoft offering, or struggled with some open source alternatives. I hear Mac users have it easy when it comes time to edit their Look At Me Play Guitar videos – their free iMovie application handles trimming heads and tails, syncing external audio, and rendering high quality video.
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